SNACK Bits (November 2025) Scotland’s Essential New Music Guide

It’s a digital-only Bits and we’ve resisted the temptation to rename it Bytes. That shows how seriously we take this column because, honestly, we’ve never met a pun we didn’t like.

‘Sitcom’ by PVC is the shot in the arm you need if the miserable weather has been getting you down. Blues and bluegrass, brattish sneers and plenty of pop sensibility in a sharp bundle. You’ll hear the band’s confidence, but more than anything it’s a great wee song.

Totally different but no less infectious is ‘Parallel Play’ by Nama Kuma (out 14th November). An EP lands before the end of the month, but this hits. The intro whirrs with DnB drums; there are jazz flecks if that’s your thing, and the vocals volley between spoken word and a snappy chorus.

Proof that jazz wanders many paths: its touch is felt in ‘The Waulking Songs’ by Eleanor Dunsdon & Gregor Black (out 6th November). The song is skittish, danceable, and as traditional as you’d hope when the clàrsach is in town.

There’s simplicity throughout ‘combustible!’ by Étáin, in a hugely enjoyable way. It’s soft and simmering, occasionally coming to the boil, while loose percussion and breathy vocals take you to a smoky back room.

There’s simple joy in ‘Never Be Alone’ from Nani Porenta. Inspired by the birth of her niece, the song coos and lilts, with promises of love and dreams of exploring life. The slide guitar darts neatly, but it’s the lead vocal that shines brightest here in a song bursting with pride.

‘Roots’ by Peach Crumb (out 14th November) is just as enjoyable: hand-clapping percussion, a backing that blends space with fun, and vocals that make you feel like the sun might come back for a final bow this year.

The love and respect that has travelled both ways between The Twilight Sad and Robert Smith means The Cure frontman’s presence on ‘Waiting For The Phone Call’ isn’t a surprise. You could say the same of the topic; the band are well known for their harsh, gritty outlook. Musically, though, the song bristles with an eagerness that provides the twist. It explodes into life at points and never flags. Not bad going, given it runs for five-and-a-half minutes.

If the ’80s angle of the previous track grabbed your attention, you might have an interest in The Dougies, whose ‘If You Call (I’ll Come)’ trails their debut album. Fronted by Dougie O’Neil of Mickey 9s, the band throw in a bit of slap bass, sass, and a build to the chorus that feels like you know it even on first listen. There’s an audience for this, and if the album pops like the lead single, it’ll be an uplifting blast.

Same goes for ‘Drink The First Light’ by Adam Ross, featuring C Duncan. Adam’s ear for melody and hooks has never been in doubt, but this feels more polished. The repeated title line lodges in your head, and it’s good to see he’s still capable of catching listeners by surprise.

And so you aren’t caught by surprise, we’ll be back next month with the final Bits of 2025. Come back and see us.