SNACK Bits (October ’24): Scotland’s Essential New Music Guide
You see? BITS disappears for two issues and Oasis reform. Do you think that’s ...
SNACK magazine: October 2024 (issue 67)
SNACK magazine is Scotland’s national, independent A5 What’s On, Arts & Culture magazine Lovingly ...
SNACK magazine: digital archive
SNACK is Scotland’s vibrant A5 independent, monthly, arts & culture magazine. Each print edition ...
ZERRIN ‘Talking to myself ‘ (EP Review)
SNACK reviewed ‘Maintenance Phase’, the lead single that opens this EP, in April – ...
MARGARET MCDONALD on chasing the feeling, exploration, and life-changing connections.
With the success of Yorgos Lanthimos’ screen adaptation of Alasdair Gray’s Poor Things and ...
PICTISH TRAILÂ ‘Follow Footsteps’ (EP Review)
Reimagining songs from his 2022 album Island Family, the Small Isles polymath Johnny Lynch ...
ELEANOR MORTON ‘Life Lessons from Historical Women’ (Book Review)Â
For her first book, comedian Eleanor Morton gives us Life Lessons from Historical Women ...
BBC Scottish Symphony Orchestra – 26th September 2024, Glasgow City Halls – Review
I dusted off a frock and put my fancy face on to attend the ...
STUART MURDOCH on finding a voice, escapism, and throwing off the shackles.
In 2015 we were introduced to ‘Nobody’s Empire’, a classic twee folk track from ...
NEW WRITING SCOTLAND 42: Don’t. Even. Ask. Too. Hot. (Book Review)
The Association of Scottish Literature’s New Writing Scotland, published annually, is one of the ...
KATE YOUNG ‘Umbelliferæ’ (Album Review)
Kate Young’s Umbelliferæ turns our gaze downwards, to the incredible variety of plant life ...
Outwith Festival: a rich offering (REVIEW)
Outwith def: outside/beyond. It’s always refreshing to see more opening up outside of the ...
The Magnetic Fields Part 1: marvellous (REVIEW)
American band, The Magnetic Fields, took to the stage of Edinburgh’s Queen’s Hall to ...
SNACK has a clear commitment to equality: we were the first, and still the only, Scottish publication to make a Keychange pledge committing to take positive action for a representative music industry.
We committed to a 50/50 gender balance in our coverage in 2021 and have exceeded this pledge annually since.
