Lorelle Meets The Obsolete – Remezcla EP (review)
Lorena Quintanilla and Alberto González are the duo behind this experimental psych-rock/ shoegaze project ...
Alannah Moar’s ‘Ready Or Not’ – brutal in its honesty and vulnerability (single review)
Orkney-born, Glasgow-based musician Alannah Moar’s ‘Ready Or Not’, released at the end of August, ...
Stephen Durkan – The World Dances With You (single review)
‘The World Dances With You’ initially reminds me of Barry Can’t Swim ft. Some ...
The Substance: modern day fable about the dangers of identifying with your physical form and obsession with youthful female-presenting bodies (film review)
A few years ago, Julia Ducournau’s Titane altered the benchmark for the body horror ...
OST..! (Richard Forster) at Ingleby Gallery – review
At a first glance, Richard Forster’s OST..! could be mistaken for a museum installation, ...
A Case of Matricide – Graeme Macrae Burnet (book review) Final instalment of Gorski trilogy
Graeme Macrae Burnet is best known by readers for his Booker-listed novels His Bloody ...
Patricia Fleming, Director of the Art Car Boot Sale, on how art is for everyone
This October, The Art Car Boot Sale returns, featuring over one hundred Scotland-based contemporary ...
Amy Papiransky, Hana Jane + Alannah Moar at The Poetry Club, Glasgow (live review)
Amy Papiransky, Hana Jane, Alannah Moar – The Poetry Club – Friday 18th October ...
SNACK has a clear commitment to equality: we were the first, and still the only, Scottish publication to make a Keychange pledge committing to take positive action for a representative music industry.
We committed to a 50/50 gender balance in our coverage in 2021 and have exceeded this pledge annually since.
