Lorna Irvine 
Album: Kathryn Joseph – for you who are the wronged
The power of Kathryn Joseph’s music lies in its quiet, understated delicacy: she can ...
Album Review: Hen Hoose – Equaliser
The cream of female and non-binary Scottish music come together to create a dream ...
Album Review: She Drew the Gun – Behave Myself
Louisa Roach, the brainchild behind She Drew The Gun, is an outspoken presence, in ...
Live Review: Black Midi QMU Glasgow, 27th September
Perhaps it would be apposite to just do a series of emojis for this ...
Interview: Jimmy Cauty – ESTATE
K Foundation musician, DJ, and producer Jimmy Cauty needs no introduction for anyone who ...
Album review: Glüme – The Internet
Elusive singer Glüme describes herself as ‘a Walmart Marilyn Monroe’, which seems apposite. After ...
Compilation: Tonic Note – Breathing Space
Indie labels and artists have faced many challenges over the last year during the ...
Album review: Art d’Ecco – In Standard Definition
Enigmatic Canadian art pop singer Art d’Ecco wears his bellbottoms as unashamedly as Jon ...
Music Interview: Nightshift – Zöe
Nightshift are an emerging Glasgow band whose latest album, Zöe, simmers with a kind ...
Album Review: Stereolab: Electrically Possessed [Switched On Volume 4]
Few bands navigate liminal spaces quite as easily as majestic avant-pop act Stereolab. There ...
Album review: Anna B Savage – A Common Turn
London-based singer-songwriter Anna B Savage’s album, A Common Turn, is an extraordinary statement of ...
Album review: Ben Seal – Death & More
Post-glam-wonky pop, anyone? If anyone can splice genres to dazzling effect, it’s the Fife-based ...
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