Kathleen Jamie on milestones, micro essays, and navigating the future (Interview)
As Kathleen Jamie – essayist, editor, and Makar (National Poet for Scotland) – reached ...
SNACK Bits (July 2024) – Scotland’s Essential New Music Guide
As we’re pushing the word limit already (and the editor is no doubt raging ...
TRNSMT Day One: The Last Dinner Party, Sugababes, Liam Gallagher, Garbage, Neive Ella & Wunderhorse
The annual moans about the TRNSMT line-up grow louder each year. Yet, with another ...
Be Like Pablo ‘A World Apart’ (Album Review)
A World Apart is the second full-length album from Forres based Be Like Pablo ...
Andrés N. Ordorica ‘How We Named The Stars’ (Book Review)
In How We Named the Stars, debut novelist Andrés N. Ordorica explores coming-of-age in ...
Elle Nash on alchemising the beautiful brutal. Formative books, body horror, and the darker side of human experience.
Since the publication of her critically acclaimed 2018 novella, Animals Eat Each Other, Elle ...
Game On, an interactive journey through the history of video games at National Museum of Scotland (Review)
Organised by London’s Barbican Centre and hosted by the National Museum of Scotland, Game ...
Jen Hadfield ‘Storm Pegs: A Life Made in Shetland’ (Book Review)
With Storm Pegs: A Life Made in Shetland, Poet Jen Hadfield has created an ...
Graeme Thomson ‘Under The Ivy: The Life & Music of Kate Bush’ (Book Review)
Revised and updated as part of Omnibus Press’ Remastered series, Graeme Thomson’s Under The ...
Night Caller ‘So Much Pink’ (EP Review)
This EP is fun and camp, but it also features a dry sense of ...
Susan Bear ‘Algorithmic Mood Music’ (Album Review)
It’s a relief to hear Susan Bear delivers the title of her third album, ...
Ari Tsugi on musical chemistry, spirituality, and gifts of the universe.
The latest signing to Rebecca Vasmant’s label, Rebecca’s Records, Ari Tsugi are a psychedelic ...
SNACK has a clear commitment to equality: we were the first, and still the only, Scottish publication to make a Keychange pledge committing to take positive action for a representative music industry.
We committed to a 50/50 gender balance in our coverage in 2021 and have exceeded this pledge annually since.
