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Eve Smith ‘How Was It for You?: Stories From A Sex Worker’ (Book Review)

Eve Smith has spent over twenty years as a sex worker, with roles as ...

OUTBLINKER ‘OUTBLINKER’ (Album Review)

Intensity is the word that characterises the long- awaited debut album from ‘self-facilitating media ...

Where are all the lesbian bars? (EXHIBITION REVIEW)

The Pride month exhibition (which is only the latest of monthly instalments put on ...

Dear Green Music Scene Festival set to delight 

Dear Green Music Scene Festival describes itself as ‘a green energy powered celebration of ...

How Busted are getting it right for Stirling Summer Sessions

'I don’t do well with things going wrong’ is one of the first things ...

Cathy Wilkes at The Hunterian (EXHIBITION REVIEW)

In Cathy Wilkes’ most recent exhibition, we are transported from The Hunterian in Glasgow ...

Inaugural Lughnasadh Festival set to host rising Scottish star Hamish Hawk

Forgan Arts Centre is set to be the home of Big Rock Record’s Lughnasadh ...

Guests ‘I wish I was special’ (Album Review)

There’s an intimacy to this debut album from Jessica Higgins and Matthew Walkerdine; the ...

Mabe Fratti ‘Sentir que no sabes’ (Album Review)

Sentir que no sabes, the fourth solo album from Guatemalan cellist, singer, and composer ...

Bat For Lashes ‘The Dream of Delphi’ (Album Review)

The long-awaited sixth studio album from Bat For Lashes, aka Natasha Khan, sees her ...

Fat White Family on exits, culture, aggression, and 2Pac’s hologram.

There’s rarely been a period of stability and calm with Fat White Family, but ...

Esther Swift ‘Expectations of a Lifetime’ (Album Review)

Multi-hyphenate composer-singer-harpist-arranger Esther Swift came to prominence with her 2021 piece ‘The Call’, a ...