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Scottish Chamber Orchestra’s first performance of their 2022-23 Digital Season (Shostakovich’s String Quartet No 8)

Scottish Chamber Orchestra’s first performance of their 2022-23 Digital Season, filmed in Leith Theatre, ...

Book Review: Weasels in The Attic – Hiroko Oyamada

Award winning author Hiroko Oyamada’s newest book, Weasels in The Attic, is a short ...

Live Review: Mogwai, Usher Hall Edinburgh, 21st December

Mogwai at Usher Hall was about as much as a statement gig as you ...

Ten Best Scottish Books of 2022

2022 was a memorable year for Scottish writing, with great debuts, the return of ...

Lost Map’s HUMBUG!, Summerhall Edinburgh, 17th December 

Words by Keira Brown It’s rare when you find a music collective that feels ...

Wide Days Announces Programme Details and Partners for 2023

The Wide Days music convention is set to return to Edinburgh from 13th-15th April ...

Book Review: Leyla Josephine – In Public/In Private

Many will have encountered artist, writer and performer Leyla Josephine’s work in the realm ...

Album Review: The Atheist–Jamie Lenman

Jamie Lenman is a bona fide legend in the UK alternative scene, to the ...

EP Review: Fishboy – No Windows

Much has been made about the ages of Edinburgh duo No Windows. At just ...

Single Review: Sunset – Caroline Polachek

For fans of Caroline Polachek’s glossy, cutting-edge synth-pop, ‘Sunset’ is surprisingly down-to-earth. The American ...

Single Review: It Needs You –Girl Friday

Following their debut album Androgynous Mary in 2020 – and a couple of moody ...

Single Review: So I’ve Been Told – Rosie H Sullivan

Hailing from the windswept Isle of Lewis, Rosie H Sullivan has created music throughout ...