This is bass-heavy paganism from Natalie Joy Reid and producer SERA, with massive dance floor drums and speaker-shaking bass drops, pulling influence from early dubstep and the more experimental ends of metal.
It’s a huge, pummelling production, with Reid’s impressive vocal range floating over the top and a wicked pop sensibility under all the demonic introspection.
We might get in trouble for saying November is an apt month for the ...
It’s a well known superstitious tradition to never say ‘Macbeth’ in a theatre as ...
On 10th of February the infamous King Tut’s Wah Wah Hut turned 35 and ...
SNACK has a clear commitment to equality: we were the first, and still the only, Scottish publication to make a Keychange pledge committing to take positive action for a representative music industry.
We committed to a 50/50 gender balance in our coverage in 2021 and have exceeded this pledge annually since.
