This is bass-heavy paganism from Natalie Joy Reid and producer SERA, with massive dance floor drums and speaker-shaking bass drops, pulling influence from early dubstep and the more experimental ends of metal.
It’s a huge, pummelling production, with Reid’s impressive vocal range floating over the top and a wicked pop sensibility under all the demonic introspection.
Words: Zoë White As the sun went down on Sunday night at the newly ...
Sticky sweet and sumptuous, KLEO’s saccharine-sodden lyrics live in a glitchy, hyper-pop universe of ...
Glasgow-based Sulka (songwriter Lukas Clasen) is something of a shining light. Ever inventive, he ...
SNACK has a clear commitment to equality: we were the first, and still the only, Scottish publication to make a Keychange pledge committing to take positive action for a representative music industry.
We committed to a 50/50 gender balance in our coverage in 2021 and have exceeded this pledge annually since.
