Keira Brown 
Gig Review: Edinburgh International Festival 2022 – Sons of Kemet @ Leith Theatre, 14th August
Sensationally led by the more than rapturous and charismatic Shabaka Hutchings, Sons of Kemet ...
Book Review: Disorientation – Elaine Hsieh Chou
Elaine Hsieh Chou’s debut is an epic novel of satire, an intelligent romp with ...
Theatre Review: Edinburgh Fringe 2022 – Blood and Gold
Blood and Gold is a rich and cultural story, steeped in ancient mythology, using ...
Gig Review: Edinburgh International Festival 2022 – Squarepusher@ Leith Theatre, 13th August
After a five-year hiatus from Squarepusher and playing a range of festivals this summer ...
Book Review: Dark Earth – Rebecca Stott
Dark Earth, a novel about two sisters primitively fighting for survival in male-dominated Dark ...
Gig Review: Edinburgh International Festival 2022 – Herbie Hancock@ Edinburgh Playhouse, 7th August
A ground-breaking genius in many genres including funk, jazz, and ambient, Herbie Hancock is ...
Interview: David Keenan – This Is Memorial Device (the theatre production) – Edinburgh Fringe 2022
One theme of this year’s Edinburgh International Book Festival is ‘Playing with Books’, where ...
Festival review: Hidden Door 2022
After resounding anticipation over the new venue, Hidden Door Arts kicked off their festival ...
Books Interview: Michael Pedersen – Boy Friends
‘The story of our friends, it’s the ingredients of who we are as human ...
Gig review: The Avalanches @ QMU Glasgow, 20th June 2022
Ahead of their Glastonbury set, Australian producers The Avalanches took to Glasgow’s QMU for ...
Book Review: The Sound of Being Human – Jude Rogers
The Sound of Being Human considers our life soundtracks, with context, emotion and astute observation. ...
Book Review: Raven Smith’s Men – Raven Smith
Following on from his debut Raven Smith’s Trivial Pursuits, Smith is back with a witty ...
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