EP review: Loup Havenith – Bring Yourself to Completion

Over the summer, Loup Havenith (Supercloud) has been recording and experimenting with cassette tapes ...

Interview: Zoe Graham – Gradual Move

Zoe Graham’s new EP, Gradual Move, sees a seismic change of direction from her ...

Music Interview: KLEOPATRA – MACHINA EP

KLEOPATRA’s MACHINA EP creates a brilliantly realised cyberpunk world, with its futuristic DIY synth ...

Single review: Post Coal Prom Queen ft. Macaroom – Zou

This playful and glitchy new track from Post Coal Prom Queen is the second ...

Live review: Scottish Opera – La bohème – 6th September

With a public starved of live in-person entertainment, it probably would have been enough ...

EP Review: Beta Waves – EP1

From the moment the drum bus filter opens and the sharp claps and rim ...

Interview: Rachel Aggs – Visitations 0202

Lost Map’s Visitations project sees artists invited to spend one week in solitude in ...

Interview: Erland Cooper- Hether Blether

Erland Cooper’s ‘Orkney Triptych’ is a transportive and often stunning blend of contemporary classical, ...

Single review: The Son(s) – Silver Fingers

‘Silver Fingers’ is the first release from The Son(s) since their 2014 album The ...

Music interview: Man of Moon, Chemicals – the remixes EP

Man of Moon sound like they’ve been busy with their lockdown, pulling together a ...

Interview: Hope Dickson Leach on her contribution to The Uncertain Kingdom, ‘Strong Is Better Than Angry’.

The Uncertain Kingdom is a brilliant and dizzyingly diverse anthology of twenty short films ...