Review
Singles review: Boys Noize – ‘Ride or Die’ & ‘IU’
Flexing not one but two new singles, respected DJ/producer Boys Noize delves deeper into ...
Album review: Squid — Bright Green Field
Squid have caught the eyes and ears with singles and an EP, but a ...
Book review: How To Survive Everything (When There’s No One Left to Trust) by Ewan Morrison
If any Scottish writer was going to tackle the task of writing a pandemic ...
Album review: Stanley Odd – Stay Odd : The Magic of Everyday Things
As hip-hop in the US suffers through an era of mumble rap from the ...
EP Review: Rachel Jack – Magazine Girls
Following on from her 2020 acoustic folk album The Calgary Tapes, Rachel Jack goes ...
RCS: Into the New 2021
Into the New is the graduate festival for the Royal Conservatoire of Scotland’s Contemporary ...
Single review: Kaputt – Movement Now
Kaputt, the Glasgow-based DIY sextet, are back with new single ‘Movement Now’. Post-punky and ...
Single review: Sulka – Hollow Days
‘Hollow Days’ is the latest single from recording project Sulka. Brought to you by ...
Album review: The Gracious Losers – Six Road Ends
You find some people get too hung up on country music, possibly scarred from ...
Album review: Flock of Dimes – Head of Roses
Jenn Wasner’s indie rock duo Wye Oak have been around for a number of ...
Single review: Probably Finlay – The Unquiet Grave
Edinburgh-based singer-songwriter Probably Finlay’s new release ‘The Unquiet Grave’ is an orchestral offering inspired ...
Single review: Bachelor – Stay in the Car
Palehound’s Ellen Kempner and Jay Som’s Melina Duterte coming together to form a collaborative ...
SNACK has a clear commitment to equality: we were the first, and still the only, Scottish publication to make a Keychange pledge committing to take positive action for a representative music industry.
We committed to a 50/50 gender balance in our coverage in 2021 and have exceeded this pledge annually since.
